<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>slick n&#039; dirty &#124; story blog from dr. menlo</title>
	<atom:link href="http://slickndirty.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://slickndirty.com</link>
	<description>brains, blood and broads</description>
	<lastBuildDate>Mon, 06 Feb 2012 14:11:07 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.1</generator>
		<item>
		<title>Collapsity: Level One</title>
		<link>http://slickndirty.com/collapsity-level-one/</link>
		<comments>http://slickndirty.com/collapsity-level-one/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 14:11:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Collapsity]]></category>
		<category><![CDATA[apocalyptic]]></category>

		<guid isPermaLink="false">http://slickndirty.com/?p=322</guid>
		<description><![CDATA[Disclaimer: This is a dark journey. With jokes. This is a work of fiction, and a satire &#8211; especially pertaining to those ‘famous’ peoples mentioned, none of whom actually posed for the writing of this book. There is sex and violence in these pages, as it is about adults, mostly. If you like your books [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/dp/B0074DU1TG" target=_blank><img src="http://drmenlo.com/wp-content/uploads/2012/02/collapsitylevelonecover.jpg" alt="collapsity level one" title="collapsity level one" width="499" height="703" class="alignnone size-full wp-image-8372" /></a><br />
<blockquote>
<p>Disclaimer:<br />
This is a dark journey.  With jokes.<br />
This is a work of fiction, and a satire &#8211; especially pertaining to those ‘famous’ peoples mentioned, none of whom actually posed for the writing of this book.<br />
There is sex and violence in these pages, as it is about adults, mostly.  If you like your books expurgated, I don’t know what the hell you are doing here.</p>
<p>This book is about the collapse and potential salvation of humanity. There are no fucking gods anywhere.  There will also be cussing.</p>
<p>1.  Black Helvetica on White Bond<br />
COLLAPSITY &#8211; YOU’RE BATHING in it.  You hear me, America?  You are bathing in it.<br />
	You are in it up to your skullcaps.  You developed schools to make good factory workers and then you shipped all your factories overseas.  You gave the keys to your society to the corporations and military-industrial-congressional complex and you have been thusly, richly raped.  Blood and sweat and deformed semen  are streaming down your legs and you are oblivious to this, swatting instead at fictitious enemies from the land of make-believe.<br />
	The money is gone and is not coming back.  It is overseas now, guarded and lost.  Your population has been left to crumble.  You have been divided into two colors while your real overlord laughs and counts the cash.<br />
	Either shoot yourself or shoot each other or rebuild from the bottom up.<br />
	Face your collapsity.<br />
	Then decide what to do next.</p></blockquote>
<p>  </p>
<p><a href="http://www.amazon.com/dp/B0074DU1TG" target=_blank>Collapsity: a serial novel</a> &#8211; here is the first of 3 installments.  75 pages for 2.99 on your Kindle.</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/collapsity-level-one/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>We Need a New John Steinbeck</title>
		<link>http://slickndirty.com/we-need-a-new-john-steinbeck/</link>
		<comments>http://slickndirty.com/we-need-a-new-john-steinbeck/#comments</comments>
		<pubDate>Sat, 19 Feb 2011 21:35:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Class War]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[henry fonda]]></category>
		<category><![CDATA[john ford]]></category>
		<category><![CDATA[john steinbeck]]></category>

		<guid isPermaLink="false">http://slickndirty.com/?p=252</guid>
		<description><![CDATA[We need a new John Steinbeck in America. Who else is putting class issues into fiction today? From the Wikipedia entry on &#8220;The Grapes of Wrath&#8221;: When preparing to write the novel, Steinbeck wrote: &#8220;I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://slickndirty.com/wp-content/uploads/2011/02/grapes-of-wrath-henry-fonda.jpg" alt="grapes of wrath" title="grapes of wrath" width="500" height="395" class="alignnone size-full wp-image-272" />
<p></br></p>
<p>We need a new John Steinbeck in America.  Who else is putting class issues into fiction today?</p>
<p>From <a href="http://en.wikipedia.org/wiki/The_Grapes_of_Wrath">the Wikipedia entry on &#8220;The Grapes of Wrath&#8221;</a>:<br />
<blockquote>When preparing to write the novel, Steinbeck wrote: &#8220;I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and its effects].&#8221;</p></blockquote>
<p><span id="more-252"></span><br />
Who caused the current Great Recession or NeoDepression?   From <a href="http://www.democracynow.org/2011/2/17/democracy_uprising_in_the_usa_noam">the world&#8217;s greatest intellectual</a>: </p>
<blockquote><p>And there’s been a wave of propaganda over the last couple of months, which is pretty impressive to watch, trying to deflect attention away <b>from those who actually created the economic crisis, like Goldman Sachs, Citigroup, JPMorgan Chase, their associates in the government who—Federal Reserve and others—let all this go on and helped it.</b> There’s a—to switch attention away from them to the people really responsible for the crisis—teachers, police, firefighters, sanitation workers, their huge pensions, their incredible healthcare benefits, Cadillac healthcare benefits, and their unions, who are the real villains, the ones who are robbing the taxpayer by making sure that policemen may not starve when they retire. And this is pretty amazing, like right in the middle of the Madison affair, which is critical.</p>
<p>The CEO of Goldman Sachs, Lloyd Blankfein, got a $12.5 million bonus, and his base pay was more than tripled. Well, that means he—the rules of corporate governments have been modified in the last 30 years by the U.S. government to allow the chief executive officer to pretty much set their own salaries. There’s various ways in which this has been done, but it’s government policy. And one of the effects of it is—people talk about inequality, but what’s a little less recognized is that although there is extreme inequality, it’s mostly because of the top tiny fraction of the population, so like a fraction of one percent of the population, their wealth has just shot through the stratosphere. You go down to the—you know, the next 10 percent are doing pretty well, but it’s not off the spectrum. And this is by design.</p></blockquote>
<p>So we know who caused the Great Recession: the financial markets.  Who gave the most money to Obama&#8217;s presidential campaign?  The financial markets.  From the same interview: &#8220;Take a look at the 2008 campaign spending. Obama way outspent McCain. He was funded—his main source of funding was the financial institutions.&#8221;</p>
<p>So who is putting &#8216;the tag of shame&#8217; on these &#8216;greedy bastards&#8217;?  Certainly not Obama.  Chomsky fingered a &#8216;wave of propaganda&#8217; that I noticed on another end: the new meme that &#8216;Obama was anti-business his first two years and now needs to make up with them.&#8217;  And this was on NPR, as of a few months back.  I heard that and I was like what the hell?  Did I turn on Fox all of a sudden?  Where did this meme come from?  NPR ombudsman?  Memetracker Mike?  Anyone?  Did it come out of the White House itself which would not be surprising, and NPR just aped it?</p>
<p>So not only is Obama not putting the mark of shame where it belongs, he is participating in a fictitious narrative that has him previously fighting the business sector, and who now must sweet-talk them with tax cuts and such so they will &#8216;create jobs&#8217; which is just more trickle-down, con meme nonsense.</p>
<p>The idea that Obama was anti-business his first two years is just laughable, absurd, against all known notion of the facts.  First off, as previously pointed to, it was the financial institutions that contributed mostly to Obama&#8217;s campaign. And how many people from Wall Street went to jail for causing the Great Recession?  No one did.  Not one.  Obama&#8217;s &#8216;Wall Street Reform&#8217; was watered down at best and even all this bankster-favoritism didn&#8217;t stop Wall Street from launching and financing the completely astroturf and never grass roots Tea Party.</p>
<p>How many people on the high end of Obama&#8217;s staff came right outta Wall Street?  When Obama gave all the money to the banks so that they would forestall mortgages &#8211; there was no strings on this money whatsoever. They didn&#8217;t use the money to help homeowners &#8211; and Obama didn&#8217;t do shit about it.</p>
<p>Not to mention Obama has done jack shit about climate change- at the behest of the corporations that own his ass.  (When quarterly profits have become your society&#8217;s God, mentioning world destruction is just impolite.)  Why hasn&#8217;t Elizabeth Warren &#8211; an angel sent from heaven if ever there was one &#8211; yet been given a position with actual teeth?  And I could go on.</p>
<p>Obama&#8217;s no-turning-back moment was the &#8216;tax cut compromise&#8217; of late 2010.  For one thing, when Obama had the house and senate and didn&#8217;t need the Republican vote &#8211; he still &#8216;compromised.&#8217;  When the Republicans in the lame duck Senate took the poor hostage until tax cuts for the rich were extended, Obama didn&#8217;t just bend over for them &#8211; he threw in some estate tax goodness as well.  This is not even befitting the word compromise.  When you keep giving in, and giving more than in &#8211; and the other side gives nothing &#8211; this is not even the word &#8216;compromise&#8217; anymore.  Orwellian word-flipping did not subside when Bush left town.  Barak Obama: change millionaires can believe in.</p>
<p>And now &#8211; or lately &#8211; NPR reports Obama is on a mission &#8216;to win business back.&#8217;  It is one of the most grotesque pieces of propaganda and factual chicanery I have ever personally witnessed in about fifteen years of assiduously listening to NPR.</p>
<p>Where are the politicians attaching the &#8216;tag of shame&#8217; to the &#8216;greedy bastards&#8217;?  Where are the artists?  The writers?  We know where the politicians are &#8211; they are controlled by Goldman Sachs et. al &#8211; and they mince a show for the corporate media increasingly led by number one liar Fox.</p>
<p>So who else will talk about class in America?  Who else will talk about stratification?  A <a href="http://www.pbs.org/newshour/rundown/2010/09/poverty-uninsured-rates-rise-as-recession-continues.html">report comes out months ago stating that 1 in 7 Americans have slipped into poverty</a>, and then it disappears down the memory hole.  While most Americans who tune in to &#8216;news&#8217; hear messages like this over and over: &#8220;Unions are the enemy.  Bankers deserve to make billions because they are worth it.  Some Americans deserve to die or suffer because they are worthless. Defense will not be touched or broached because of the bogeyman.  Boo!&#8221;</p>
<p></br><br />
<object width="480" height="390"><param name="movie" value="http://www.youtube-nocookie.com/v/5ayi81QMuak?fs=1&amp;hl=en_US&amp;rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube-nocookie.com/v/5ayi81QMuak?fs=1&amp;hl=en_US&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="390"></embed></object></p>
<p>Americans need a new John or Joanna Steinbeck.  Until then they need to read <i>The Grapes of Wrath</i>, or watch <i>The Grapes of Wrath</i>.  They need to be woken up from the chloroform blanket of self-defeating mind poison that is Fox News.  Somewhere in our collective unconscious there is a memory that being American means more than being sodomized on a regular basis by Goldman Sachs.</p>
<p>And perhaps, as Chomsky opines, a little Egypt will sprout in Wisconsin.</p>
<p></br><br />
<object width="480" height="300"><param name="movie" value="http://www.youtube-nocookie.com/v/yer4L1Uhayc?fs=1&amp;hl=en_US&amp;rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube-nocookie.com/v/yer4L1Uhayc?fs=1&amp;hl=en_US&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="300"></embed></object></p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/we-need-a-new-john-steinbeck/feed/</wfw:commentRss>
		<slash:comments>37</slash:comments>
		</item>
		<item>
		<title>Top Ten Recession-Era Status Updates You Won&#8217;t See On Facebook</title>
		<link>http://slickndirty.com/top-ten-recession-era-status-updates-you-wont-see-on-facebook/</link>
		<comments>http://slickndirty.com/top-ten-recession-era-status-updates-you-wont-see-on-facebook/#comments</comments>
		<pubDate>Sat, 06 Nov 2010 01:41:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Comedy Bits]]></category>
		<category><![CDATA[Top Ten Lists]]></category>
		<category><![CDATA[recession-era]]></category>

		<guid isPermaLink="false">http://slickndirty.com/?p=41</guid>
		<description><![CDATA[1. &#8220;I&#8217;m not falling into poverty, I&#8217;m strata-surfin&#8217;!&#8221; 2. is cleaning my front door of all these pesky notices with words like &#8220;auction&#8221; and &#8220;foreclosure&#8221; on them. 3. is scraping resin. 4. is shopping at Goodwill for a disguise to wear to the food bank. 5. has reached such an all-new low credit score, FICO [...]]]></description>
			<content:encoded><![CDATA[<p>1.  &#8220;I&#8217;m not falling into poverty, I&#8217;m strata-surfin&#8217;!&#8221;</p>
<p>2. is cleaning my front door of all these pesky notices with words like &#8220;auction&#8221; and &#8220;foreclosure&#8221; on them. </p>
<p>3.  is scraping resin. </p>
<p>4.  is shopping at Goodwill for a disguise to wear to the food bank. </p>
<p>5. has reached such an all-new low credit score, FICO has a hit man looking for me. </p>
<p>6. is thinking maybe those Nigerians in my IN box can help me after all. </p>
<p>7. is checking my EBT balance.</p>
<p>8.  is selling all my cds and records because I have them all backed up on my iPod, anyway. And then I&#8217;m selling my iPod. </p>
<p>9. is saving money on toilet paper by using my shower as a bidet. </p>
<p>10.  is thinking of eating horsemeat . . . and I&#8217;m a vegetarian. </p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/top-ten-recession-era-status-updates-you-wont-see-on-facebook/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>&#8220;Home&#8221; &#8211; Recommended</title>
		<link>http://slickndirty.com/home-recommended/</link>
		<comments>http://slickndirty.com/home-recommended/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 21:31:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[French Film]]></category>

		<guid isPermaLink="false">http://slickndirty.com/?p=19</guid>
		<description><![CDATA[Charming French famille slice-of-life with a shot of Charlie Kaufman.]]></description>
			<content:encoded><![CDATA[<p><object height="385" width="480"></object><param name="movie" value="http://www.youtube-nocookie.com/v/dRYzINrg6B4&amp;hl=en_US&amp;fs=1?rel=0&amp;hd=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube-nocookie.com/v/dRYzINrg6B4&amp;hl=en_US&amp;fs=1?rel=0&amp;hd=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="385" width="480"></embed></p>
<p>Charming French famille slice-of-life with a shot of Charlie Kaufman.</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/home-recommended/feed/</wfw:commentRss>
		<slash:comments>102</slash:comments>
		</item>
		<item>
		<title>No Bullshit</title>
		<link>http://slickndirty.com/no-bullshit/</link>
		<comments>http://slickndirty.com/no-bullshit/#comments</comments>
		<pubDate>Sat, 20 Mar 2010 05:08:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Picaresque]]></category>

		<guid isPermaLink="false">http://www.slickndirty.com/?p=17</guid>
		<description><![CDATA[No bullshit. One day it occurred to me.  It came over my spine like a leaf and tightened suddenly like a vise. I don’t know if there was some trauma that brought it on.  I can’t remember.  Maybe I have amnesia.  I don’t care.  All I know is, I can no longer do any bullshit.  [...]]]></description>
			<content:encoded><![CDATA[<p>No bullshit.</p>
<p>One day it occurred to me.  It came over my spine like a leaf and tightened suddenly like a vise.</p>
<p>I don’t know if there was some trauma that brought it on.  I can’t remember.  Maybe I have amnesia.  I don’t care.  All I know is, I can no longer do any bullshit.  I have to avoid it like an allergic dodging bees.  If you are allergic to bees, which I am not.</p>
<p>Ahem.<br />
<span id="more-17"></span><br />
I came to this satori while sitting in an office.  Well, that’s where I was born, anyway.  I couldn’t tell you what my name was.  But I had some kind of personality, all right.  I was sitting ramrod straight, my spine as if a rigid antenna, suddenly tuned to new notes.</p>
<p>I turned my head slowly.  Cubicles.  Cardboard.  Paper.  Ennui.  Paper clips.  Pencils.  Printers.  Fakery.  Hell.</p>
<p>I stood up, looking straight ahead.  There was a door there, a few cubicles down.  My  mission was interrupted by a chirp to my left.</p>
<p>“Where you going, Louis?  You gotta go to the bathroom again already?  You got 4 more hours on the clock.”</p>
<p>I didn’t know where this voice was coming from and I didn’t care.  But it was definitely directed at me.</p>
<p>Still looking at that door, my eyes fixed on it, I said, “Who the hell is Louis?“  And I stepped out of my cubicle and went to the door.</p>
<p>There was a longer, narrower space there, I would later learn was a hallway.  I went through it.  Another room.  Double-wide doors which opened with a thunk. People stepped into them.  The doors thudded shut.  More doors opened.  People piled out. Paralleled with pings and lights.  I studied the formations for a while, trying to decide.  Eventually I followed a short blond woman to my right.  Luckily for me, the box went down.</p>
<p>I followed the herd into the sunlight. And then I smiled.</p>
<p>Unidentified voices kept popping up in the back of my head: “But where will you go?  What will you do for money?  What will you eat? What are you leaving behind?”</p>
<p>I pushed them aside and followed my nose.  There was a bus. I tried to get on, but an angry man told me I had to  buy a ticket.  “So where do I do that?”  I asked. He pointed.  I went up to this window but someone said, “Hey buddy wait your turn!”  I asked him what that was.  He asked me if I was ‘retarded.’  I said no, I thought my name was supposed to be Louis.</p>
<p>After some more confusion and a  little scuffling, I noticed my chest seemed to be more alive somehow, and my senses more alert, and another man came up and led me by the elbow to the ticket counter when it was my turn.</p>
<p>“This man is retarded and he would like to buy a ticket.”</p>
<p>Eventually I exchanged some green paper in my pocket for a ticket.  Suckers.  I got on the bus.  I had no idea where it was going.</p>
<p>7 hours later I was starving and deposited in Arizona.  Something was telling me this was going to be a painful journey, this new departure of mine.  But there was also some kind of rocket juice expanding at the back of my head, spurring me on.  This was the drug I was now addicted to &#8211; this rocket juice.  Adrenaline plus endless novelty plus crack pump from another dimension.  I couldn’t stop moving now.</p>
<p>Soon I was on my stomach in a desert, talking to a rabbit.  For a while, I thought he was my soul mate, but then he said something most unlikeable, and I told him I was going to take a leak, and never came back.</p>
<p>I ended up throbbing red and half nekkid except for a loincloth fashioned out of shed rattlesnake skin in a town called Palimo, and this is where our story begins.</p>
<p>[Wait I can’t say that because I already started the story - in my office with the satori.  I will change much of this later, scribbling in notebooks as I go.]</p>
<p>“Well, aren’t you the neotribal fashion plate,” purred a voice to my right.  I looked over and it was a beautiful blond lady wearing a green headband driving a black convertible.  I tried to gigolo her but she wanted to be my nurse.  She took me back to her cool adobe and bathed me and fed me and watered me and removed dead skin and bad vibes.  She spread aloe over me and soon I was glowing.  “No bullshit” I grinned. I would print it on t-shirts and make a lot of money.</p>
<p>Serotonin flooded my groove pools and I lasciviously heralded sensuality graduating into sexuality.  She dressed me in pajamas and took me to bed.  She got out a big red book and started reading.   It was gospel.  Seemed some guy found the original version of this book etched in braille on flattened spam plates superglued together and turned into pages, bound by 3 iron rings and tossed into a ditch.  It would turn out to be the Book of Jeb. Now, if you followed the story he found, and followed his proscriptions, you, too, could sleep with underage girls and one day run your own planet.  My nose pulled me to the window and leaped through it, yelling as I went, &#8220;No bullshit!&#8221;  I landed in sand and guano, unnerved the bats hanging from under a great wooden beam above me who flapped and fled north. I followed.</p>
<p>The moon was out. Eventually I lost the bats. They were too quick for me.  I bent on my knees under the dark blue sky and starlight and awaited my next sign.  Nothing came and then I was reminded to open my eyes.  The lens cap was on.  I was in the middle of a road and headlights bore down on me.  Screeching, honking, they managed to swerve around me in time. I ran down the street in my satin pajamas with a big J stitched across the left breast. For &#8220;Jeb.&#8221;  Another car whizzed by and someone yelled out the window, &#8220;Goddamn Jebbite sleepwalkers!&#8221;</p>
<p>I soon came to a denser urban area and noodled into an alley.  An alley seemed a place of comfort. Perhaps I was turning into a dog.</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/no-bullshit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Welcome to Berynek&#8217;s 3</title>
		<link>http://slickndirty.com/welcome-to-beryneks-3/</link>
		<comments>http://slickndirty.com/welcome-to-beryneks-3/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:14:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Welcome to Berynek's]]></category>

		<guid isPermaLink="false">http://www.slickndirty.com/?p=15</guid>
		<description><![CDATA[Curlicue wasn&#8217;t looking at me. He was staring at the mirror behind me. &#8220;Haven&#8217;t seen one of those circus mirrors in a while.&#8221; he said. He tilted his head left and right, not taking his eyes off his reflection. &#8220;Weird,&#8221; he said. &#8220;It makes one illusion and then keeps it?&#8221; &#8220;Uh . . . &#8221; [...]]]></description>
			<content:encoded><![CDATA[<p>Curlicue wasn&#8217;t looking at me.  He was staring at the mirror behind me.  &#8220;Haven&#8217;t seen one of those circus mirrors in a while.&#8221; he said.  He tilted his head left and right, not taking his eyes off his reflection.  &#8220;Weird,&#8221; he said. &#8220;It makes one illusion and then keeps it?&#8221;</p>
<p>&#8220;Uh . . . &#8221;  Oh what the hell.  &#8220;Gotta be honest here, buddy. That&#8217;s not a trick mirror. Your cranium suffered some kind of . . . malady.&#8221;</p>
<p>His eyes widened.  He ran off to the bathroom.<br />
<span id="more-15"></span><br />
I shook my head and considered my frozen captives.  Sheila was the current name of my infosys.  &#8220;Sheila?&#8221;</p>
<p>&#8220;Yes,&#8221; she purred, in vintage 50s earthling sex bomb voice.</p>
<p>&#8220;Put me through to Boyd&#8217;s please.&#8221;  Boyd&#8217;s Farm was run by Goddess Mila, who ran a huge hydroponic greenhouse on the other side of the orbital.  She also had a small amount of livestock, more for their excrement and eggs than for eating.  One of these creatures, the Voladant, so-named from some intrepid traveller who had come back with that thing in a cage and who had then promptly fallen over, suddenly dead.</p>
<p>It was a purplish, starfish-looking creature with 7 sticky legs and no eyes. It sprang around its cage and occasionally blew out yellowish loogie-esque balls of offal.  This offal turned out to have many uses, one for superglue. But the smell was particularly offensive.</p>
<p>Mila came on the vidscreen.  She was kneeling in one part of her garden, her right hand whisking away dead leaves from her plants while her left hand held already a bushel of them.  She was wearing orange tech socks and nothing else, being a modern day nudist.  It was humid in the green house. Probably felt nice.</p>
<p>&#8220;Hello, Berynek,&#8221; she said, not pausing in her work as she glanced over her shoulder at him.  &#8220;What can I do for you today?&#8221;</p>
<p>&#8220;Uh, hoping you can send over a vial of that Voladant offal?&#8221;</p>
<p>&#8220;No problem.  Is that all?&#8221;</p>
<p>I had spaced slightly, watching her pendulous breasts move back and forth with her movement.  I caught myself and brought my gaze back up quickly. &#8220;Uh, no good on all other fronts, thanks.&#8221;</p>
<p>&#8220;How&#8217;s your home garden doing?&#8221;  she asked.  &#8220;Did you automate it yet?&#8221;</p>
<p>&#8220;Ahm, not yet.  Still trying.  Thanks, Mila.&#8221;  I smiled at her and broke connection.  It would be so easy to automate my garden. Just saying it out loud would get the system up and going.  But it irked me I had a purple thumb.  I was good at everything but that.  I was determined to keep trying, no matter how dead plants it took.</p>
<p>Soon a small flying globe entered the premises, landed on my bar and delicately extracted from itself a small vial of the Voladant offal. Once unloaded, it used its mini hand to tip its imaginary cap at me before whirring up and out again.</p>
<p>I retrieved a small wood stick from a drawer, put on my air mask and plastic gloves, picked up the offal and got to work.  About ten minutes later just when I was dropping the vial into the biohazard slot, Lt. Johns walked in.  He looked sideways at the frozen men and chuckled. &#8220;Oh, they&#8217;re gonna love that.&#8221;</p>
<p>&#8220;Red room?&#8221; I said.</p>
<p>He nodded.  I went out from behind the bar and followed him down the hallway, past the bathrooms and to a door on the left, painted conspicuously red.  It was the place I took guests to when we wanted a private convo, free of any subatomic listening devices. The whole perimeter of the Red Room was a working e-wall, pushing out all pulsations, constantly updating its OS with new nanotech updates, coming in from earth and all parts between and beyond at many gigabytes a second.  (Technology moves exponential, after all.)</p>
<p>The actual physical space of the Red Room was rococo, somewhat resembling the parlor room of an 19th century western US cathouse.  Me and the Lt. took opposite chairs.</p>
<p>The Lt. was about six foot tall, pretty good build.  Ordinary middle-aged white military face: jagged, squinty, hard.  No warmth escaped it without going through numerous checkpoints.  He slipped a hand into his uniform jacket and brought out a printed photo, slapped it down on the dark oriental coffee table between us.  It was the goddess I had ogled in my bar earlier, who told me her name was Naomi.</p>
<p>I pretended to study the pic. &#8220;Hustler, 2054?&#8221;</p>
<p>Johns smiled, licked his lips.  &#8220;That freezing tech&#8211;&#8221; he started.</p>
<p>I stopped him.  &#8220;Come on now, Lt.  I&#8217;m a civilian now.&#8221;</p>
<p>&#8220;You can&#8217;t share?&#8221;  He said, trying to look boyish.</p>
<p>&#8220;My hands are tied, you know.&#8221;  I said.  Hand up, palms facing him, as if to show.</p>
<p>He motioned to the pic.  &#8220;You never saw her.&#8221;</p>
<p>&#8220;I see a lot of people.  That pic doesn&#8217;t ring a bell. Maybe from another angle.&#8221;</p>
<p>He picked the pic, punched the back with his fingers, then set it back down again.  Now, a hologram sprang up from it.  It was her, getting off a spaceship.  Right here, at Orbital 109, it looked like.  It followed her sultry hips straight to Berynek&#8217;s.</p>
<p>&#8220;Huh,&#8221; I said. &#8220;So I guess I have seen her.&#8221;</p>
<p>&#8220;That was this morning,&#8221; Johns said.  &#8220;You must be getting old.  Got mem-rot.&#8221;  He grinned.</p>
<p>&#8220;So what, is she some kind of . . . killer?&#8221;  I asked.</p>
<p>&#8220;No criminal record.&#8221;  he said.  &#8220;Just a traveling housewife from Canada, New Earth.&#8221;</p>
<p>Married, shit. Just my luck. &#8220;So what do  you want with her?&#8221;</p>
<p>&#8220;Not me, my man.&#8221;  Johns said. He picked up the pic again and played with the back of it.  &#8220;Watch what happened when she left.&#8221;</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/welcome-to-beryneks-3/feed/</wfw:commentRss>
		<slash:comments>44</slash:comments>
		</item>
		<item>
		<title>Welcome to Berynek&#8217;s, pt. 2</title>
		<link>http://slickndirty.com/welcome-to-beryneks-pt-2/</link>
		<comments>http://slickndirty.com/welcome-to-beryneks-pt-2/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 21:40:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Welcome to Berynek's]]></category>

		<guid isPermaLink="false">http://www.slickndirty.com/?p=14</guid>
		<description><![CDATA[When I got back up from ducking under the counter, I saw the military guys pick up their rifles and run out &#8211; typical, while me and everyone left put our eye on the light in the upper corner of the wall closest to my bar. Usually that light shone blue &#8211; only when the [...]]]></description>
			<content:encoded><![CDATA[<p>When I got back up from ducking under the counter, I saw the military guys pick up their rifles and run out &#8211; typical, while me and everyone left put our eye on the light in the upper corner of the wall closest to my bar.  Usually that light shone blue &#8211; only when the hull was breached and there was serious danger of depressurization did it go red.</p>
<p>We watched.</p>
<p>We held our breaths.<br />
<span id="more-14"></span><br />
It held blue.</p>
<p>I hit the button for the jazz mix and the sounds of trumpet filled the air.  Breathing returned to the room and my patrons returned to their drinks.</p>
<p>The front door swung open and a man who had some serious interdimensional damage to his headframe stood there, looking in.</p>
<p>He was human from chin down, but the top of his skull had not been exploded or even blackened by any burns, but elongated and twisted up and over like a bagel roll once pointy and now dejected.  His own head curled over him.  He seemed dazed.</p>
<p>The lady who works at the hotel was feeling the most gives-a-shit among us and hurried up to put her motherly arm around him and lead him in.  He was speechless, mouth ajar, staring ahead expressionlessly.  She just led him over gently to a table in the corner and sat him down.</p>
<p>She come over to me, eyes worried.  I pulled a glass of water and handed it to her.<br />
Her eyebrows raised.</p>
<p>I went to my variety snuffbox and pinched a here and there, mixed it into the drink and stirred.</p>
<p>She brought it to him gingerly, as if cupping magic tea (which in fact, some of it was).  She put it under his nose and his head shot back and his eyes got wide. He looked around as if for the first time.  He then looked down at himself, possibly searching for blood or other sign of wound.  He patted his torso with his hand as if just to make sure.</p>
<p>Patti set the drink down in front of him.  He noticed she was looking at him strangely.  “Uh . . . “ he said.  He didn’t remember how he had got here, or how he had ordered this drink.</p>
<p>She didn’t feel like explaining. “On the house.” she said, smiled, and went back to her seat where she had half a drink left.</p>
<p>The couple businessmen paid their tab and left and soon the motel lady’s lunch hour was over as well, so it was just me and curlicue in the corner.  He had taken a couple sips of his drinks and gone back to staring off into the distance &#8211; probably the best thing for him at this point.</p>
<p>Then they walked in.</p>
<p>Four suits, all bulging.  They moved swiftly and stiffly, heads pivoting as if on feather triggers, inspecting all angles of Berynek’s. Backs to each other, yet forward, they sidled up to the bar.</p>
<p>The one on the right addressed me first.</p>
<p>“Bartender,” he called.  I noticed in his right hand he now held a USB connection.  “Plug me into your establishment’s infosys, stat.”</p>
<p>He waited there after barking to me what must have seemed like an interminable amount of time, as I squinted my eyes and considered him.</p>
<p>“Hey you,” he said, banging the bar with his free palm.  “Get cracking with the connection or we crack you, get it?”</p>
<p>Lucky me, suddenly in backtalk heaven.  I started off old school: “You talking to me?”</p>
<p>If only I had a toothpick to remove from my lip before I said it.</p>
<p>“What are you, some kind of star hippie?”  he asked.  “Do we look like we’re fucking around today?”  He jerked his head to his men, who were still all backed up to each other, craning their heads around regularly for flankers.</p>
<p>I stood up from my leaning position, facing him.  “This is my bar.” I said. “I am Berynek.  Normally at this point I would say, ‘Welcome to Berynek’s’ &#8211; but I cannot say this to you and your men today, I am afraid. Because you are most unwelcome.  Please leave now before you force me to grimace.”</p>
<p>My peripheral vision told me that curlicue was still motionless, looking off into the distance. I hoped at least his eyelid reflexes were working, otherwise his eyes were gonna get awful dusty.</p>
<p>The guy on the right made a swift motion with his open hand and shot out a badge into my face: UP. Universal Police.</p>
<p>I said: “You have just arrived to Orbital 109 and, I am assuming, have not yet had a powpow with the local military commander, Lt. Johns, I take it?”</p>
<p>He tilted his head at me and curled his lip, “Not that I have to tell you shit, but yes we did just get here, and I don’t need to reconnoiter with no local fuckin’ gruntard to push around the locals when doing our righteous investigatin’.”</p>
<p>“Orbital 109 is under your purview.”  I acknowledged to him, nodding my head in assent.  “Excepting my building.”</p>
<p>He screwed up his face.  “No way.”</p>
<p>The man on his right and on my left who was also facing the bar and had said nothing up until this point, suddenly joined the discussion.  “It’s true.”  he told his companion.  He evidently had some inner uplink.  He was looking down to the bar as if reading.  “Berynek’s is not under our jurisdiction.”</p>
<p>The man on the right made a hawking sound, then faced his left and spit it out.  “Well, usually we have the law on our side.” he said.  “But pending that, we act as a gang.  Now give us access to your infosys before we beat it out of you.”</p>
<p>I retrieved a towel from under my bar and gave it to him: “Go pick up your loogie you dirty bastard.”  I said.</p>
<p>His face went apoplectic and he swung at me.  I flicked my thumb on the dial it had been holding and all four men froze.</p>
<p>“Lt. Johns please,” I called out to my infosys.  The call was made.  Pretty soon Johns head appeared on my vid screen.</p>
<p>“Berynek.  What can I do for you?” he asked.</p>
<p>“I’d like you to come retrieve four space pigs, please.”</p>
<p>He chortled and glanced over my shoulder.  “Hey, that fist got a little closer than the last one.” he noted.</p>
<p>“I think he would be appreciative of a new mustache when he wakes up, what do you think?”  I asked.</p>
<p>Johns guffawed.  “We’ll be there shortly.”  He signed off.</p>
<p>When I turned around I almost gave a bit of a start because curliecue was standing there at the bar, staring straight at me.</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/welcome-to-beryneks-pt-2/feed/</wfw:commentRss>
		<slash:comments>74</slash:comments>
		</item>
		<item>
		<title>Atheist Interlocuter Brigade</title>
		<link>http://slickndirty.com/atheist-interlocuter-brigade/</link>
		<comments>http://slickndirty.com/atheist-interlocuter-brigade/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 19:44:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Shorts]]></category>
		<category><![CDATA[pro-atheism]]></category>

		<guid isPermaLink="false">http://www.slickndirty.com/?p=13</guid>
		<description><![CDATA[Secular blues. Curried tofu scramble. Hash browns. Home fries. Ketchup. Coffee. Biscuits and gravy. Large portrait of Richard Dawkins on the wall. Post-breakfast they went through scripts. Enter the Reality Network. Enter the Reality Network. For fuck&#8217;s sake, please enter the goddamn Reality Network. You have an island with 6 survivors. All 6 are needed [...]]]></description>
			<content:encoded><![CDATA[<p>Secular blues.  Curried tofu scramble.  Hash browns.  Home fries. Ketchup.  Coffee.   Biscuits and gravy.  Large portrait of Richard Dawkins on the wall.  Post-breakfast they went through scripts.</p>
<p>Enter the Reality Network.  Enter the Reality Network.  For fuck&#8217;s sake, please enter the goddamn Reality Network.  You have an island with 6 survivors.  All 6 are needed to build a raft to get to the next island, but 2 survivors went off to worship toads and 2 others went off to worship dead skin.  4 out of 6 humans there have diverted their human resources to nonsense, diverting precious time and energies away from real human problems and real human solutions.  The raft is not built and all 6 are eaten by ginormous giza lizards who swam in from a radiated part of Japan.  You see what happens when humans get diverted from the Reality Network?</p>
<p>What if a planet-crushing meteor was en route to earth and we needed all of humanity to pull together and work on technology to kill that meteor or duck!  But you had millions of people who belonged to cults &#8211; their brains have been colonized by bullshit.  They aren&#8217;t going to help.  They are paying taxes to their bullshit propagators.  Their mind is decorated with details that would make most fiction writers blush in embarrassment &#8211; and they deny the tools that indicate this meteor, and they deny the trajectory of the meteor . . . they refuse to help.  All of those who refuse science are largely fucking useless in humanity&#8217;s greatest hour of need.</p>
<p>And then there is pollution and global warming.  Still the corporations are in charge.  Still, their main focus is this year&#8217;s profits.  Still, they fund media campaigns to stall, subvert, deny all global warming science or proposed solving tactics.  For their own pockets, they actively work against the health of our planet and our very human race.</p>
<p>The Atheist Interlocuter Brigade assemble.  Their bellies are full and their minds are charged.  They have been doing the back and forth. They are shuffled into vans and shuttled to locations predetermined by HQ maps.  Public corners they take up.  Some go on foot and travel to heckle any proselytizers of cults they come upon.  When a Scientology hive is discovered, i.e., the word will go out and interlocuters will converge, shout and point &#8216;cult, cult!&#8217;  Different tactics of various degrees of aggression and pacifism, obviousness and subtlety, art and non-art are attempted, documented, tried.  But the A.I.B will engage.  What they want is converts.  To the worldwide reality network.  You give your email and you will get updates.  In the struggle for science against the current cancers of the human race: corporatism over humans, fictional worlds masquerading as religions and demanding taxes, etc.  Truth will out.  Fanatically, this.</p>
<p>It is OK to be fanatical about some things.  When these things are good.  And fair.  And benefit your fellow man.  The Atheist Interlocuter Brigade has been dispatched to your block and to your internets.  They will not talk to you if you don&#8217;t talk to them.  They will just stand there with a sign that says, &#8216;Pro-Science.&#8217;  Throw a nod or thumbs up if you can muster.</p>
<p>We are working on anti-cult and anti-corporate juju which you can take in pill form.  This would be easiest, obviously.  Until then &#8211; ahoy with the reality network netizens!</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/atheist-interlocuter-brigade/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Spec Simpsons Script: &#8220;Lard Country&#8221;</title>
		<link>http://slickndirty.com/spec-simpsons-script-lard-country/</link>
		<comments>http://slickndirty.com/spec-simpsons-script-lard-country/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 19:06:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Gimmicky]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[The Simpsons]]></category>
		<category><![CDATA[spec scripts]]></category>

		<guid isPermaLink="false">http://slickndirty.com/?p=140</guid>
		<description><![CDATA[INT. Simpsons master bedroom &#8211; Nite Homer tosses and turns in bed. Drool starts to ooze from the sides of his mouth. He says, &#8220;Mmmmm,&#8221; and we pop into his head. Homer is walking along a road atop a hill going &#8220;La-la-la-la&#8221; when suddenly a cloud in front of him balls itself into a doughboy [...]]]></description>
			<content:encoded><![CDATA[
<p>
INT. Simpsons master bedroom &#8211; Nite<br />
Homer tosses and turns in bed.  Drool starts to ooze from the sides of his mouth.  He says, &#8220;Mmmmm,&#8221; and we pop into his head.
</p>
<p>Homer is walking along a road atop a hill going &#8220;La-la-la-la&#8221; when suddenly a cloud in front of him balls itself into a doughboy shape and points to him, &#8220;Hello, Homer!&#8221;
</p>
<p>				<center>	HOMER<br />
		Hello . . . Who are you?
</p>
<p>					DOUGHBOY<br />
		I am here to give you good news.  Soon, very soon, your town will be gifted with the most 	beautiful present.
</p>
<p>					HOMER<br />
		Donuts?
</p>
<p>					DOUGHBOY</p>
<p>		Greater!
</p>
<p>					HOMER<br />
		Greater than donuts?  Lotsa donuts?
</p>
<p>					DOUGHBOY<br />
		Lotsa lotsa donuts!!
<p></center></p>
<p>Homer starts drooling and faints to the ground.
</p>
<p>			<center>		MARGE<br />
		Homer wake up!
<p></center></p>
<p>Marge is shaking him.
</p>
<p>				<center>	MARGE</p>
<p>		Your drool is flooding our bedroom!
<p></center></p>
<p>The drool has nearly reached the bed.  Outside, in the hallway, Maggie floats by, manically doing the doggie paddle.
</p>
<p><span id="more-140"></span></p>
<p>Kitchen &#8211; morning<br />
Homer sits at the table while Marge busies herself at the counter.  There is still wetness dripping down cabinets, pooling on surfaces.
</p>
<p>		<center>			MARGE <br />
		What could you have possibly been dreaming about to have produced so much saliva?
</p>
<p>					HOMER<br />
		I don&#8217;t know . . . donuts?  Mm, donuts . . .
<p></center></p>
<p>His head lolls back and he starts to do it again when she slaps him across the face with a mackeral.
</p>
<p><center>					HOMER<br />
		Hey! (waking)  Where&#8217;d you get that?
</p>
<p>					MARGE<br />
		It came with this month&#8217;s Good Housekeeping.
<p></center></p>
<p>She puts it back into a container mounted on the wall.
</p>
<p>Enter Lisa.
</p>
<p>		<center>			LISA</p>
<p>		Ugh!  Does anyone know why my room was so wet	this morning?
</p>
<p>					MARGE<br />
		It&#8217;s bedroom dew, dear.  It&#8217;s that time of year.
</p>
<p>					BART<br />
		We haven&#8217;t seen Dad drool like that since they	opened up 	the Baking Grease Discount Store.
</p>
<p>					HOMER<br />
		Mm, baking grease . . .
<p></center></p>
<p>His head lolls back again.  Bap! goes the mackeral.
</p>
<p>Closeup of Good Housekeeping cover: &#8220;How To Control Your Man in 5 Easy Steps!  Now with Added Mackeral!&#8221;
</p>
<p>Sidewalk &#8211; Day<br />
Bart is walking down the street when Milhouse catches up to him.
</p>
<p>	<center>				MILHOUSE<br />
		Hey Bart, you&#8217;re not going to school today?
<p>					BART<br />
		Nah, I got a funny feeling something more	interesting is 	going to happen.
</p>
<p>					MILHOUSE<br />
		Like what?
</p>
<p>					BART<br />
		I don&#8217;t know.  But I&#8217;m guessing stampede.
<p></center></p>
<p>And this point the ground rumbles and a horde of people rush by.  Camera pans up to the branches of a tree and there hang Bart and Milhouse.
</p>
<p>				<center>	MILHOUSE<br />
  		Good call.
<p></center></p>
<p>
We follow the hordes and they cross over a hill and there, bequeathed by a ray of super-sunshine: the gates with a sign over them reading, LARD COUNTRY.
</p>
<p>
A man in a beige suit and cowboy hat with a big belly standing in front of the gates takes up the microphone:
</p>
<p>		<center>			MAN IN SUIT</p>
<p>		Citizens of Springfield!
<p></center></p>
<p>One citizen turns to the other.
</p>
<p>					<center>CITIZEN<br />
		Hey, that&#8217;s us!
<p></center></p>
<p>A roar goes up.
</p>
<p>					<center>MAN IN SUIT<br />
		I am J.T. Watts!  And I have come to Springfield		to bring you . . . LARD COUNTRY!!!
<p></center></p>
<p>The crowd cheers.
</p>
<p>					<center>MOE<br />
		Ah yeah, that&#8217;s great and all, but what is it?
</p>
<p>					J.T.<br />
What is it?  What is it?  I&#8217;ll tell you what it is: an amusement park for those who like to eat!  Enjoy!!!
</p>
<p>					MOE<br />
(to himself)<br />
 		Ah great, an amusement park for fat people, there goes my business.
<p></center></p>
<p>J.T. stands aside and the gates open and the cheering crowd goes in.</p>
<p>
One person stands in front of a mirror which makes him fatter, he turns and admires himself, then goes to a vendor standing nearby selling hot  dogs: &#8220;2 please!&#8221;</p>
<p>
<p>
On the ferris wheel, the cars stop at a vendor on a crane.</p>
<p>
					<center>VENDOR<br />
		Ferris  taffy! Get your Ferris taffy!  There&#8217;s 	no more food until the bottom, folks!
<p></center></p>
<p>In front of a ride is the sign (with wooden scale): “You must be this wide to ride.”  In the sea of lard, people swim around with snorkels, get chased by giant donuts. And everywhere, people eat.  An incredible, giant orgy of gastric consumption.</p>
<p>
A man stops at a building advertising the film: &#8220;Why Fat People are Smarter!&#8221;  He goes in.  Comes back out, goes to hot dog vendor: &#8220;2, please!&#8221;</p>
<p>
Homer&#8217;s workplace &#8211; day.<br />
Homer is sleeping at work with his feet up.  He snaps to.  Sniffs the air.
</p>
<p>		<center>			HOMER<br />
		What&#8217;s this?  So much lard . . . but where	is it coming from?
<p></center></p>
<p>He follows his nose to the cafeteria.  As he&#8217;s looking around, he eats all the donuts there.
</p>
<p><center>					HOMER<br />
		No, that wasn&#8217;t it.
<p></center></p>
<p>He leaves building.  Follows nose, arms outstretched like a mummy.  Comes to the top of a hill and sees a long distance down there to the town,  runs back to his car.  Drives car with his head sticking out.  </p>
<p>
					<center>HOMER<br />
		Where  is it? Where is it?
<p></center></p>
<p>Int. Simpsons basement.  <br />
Marge in on her hands and knees scrubbing the remnants of the drool from the floor, wringing her sponge into her bucket.  Her eyes rest on: a drain in the middle of the concrete floor, where, as she looks, a stream of drool escapes to.  </p>
<p>
					<center>MARGE<br />
		Ah, so that&#8217;s where it went.
<p></center></p>
<p>Int. Sewer Underground.<br />
A mutant is at a podium.</p>
<p>
					<center>MUTANT<br />
		I call the first weekly meeting of the Mutants Without Salivia Ducts hereby convened.
<p></center></p>
<p>He bangs gavel.  There is a roar and they all look up as a shower descends.  They all open their dry mouths hungrily.
</p>
<p>					<center>MUTANT #2<br />
		Thank you oh, Goddess of Spit!
<p></center></p>
<p>Homer is driving, comes up to Lard Country.  His eyes widen.
</p>
<p>					<center>HOMER<br />
		Oh my God, Oh my God, Oh my God . . .
<p></center></p>
<p>He jumps out of the car as it&#8217;s still moving, not having time to park, and runs to the gates.  We hear the crash of his car and a cat&#8217;s ywroar.  He runs up to the ticket counter.
</p>
<p><center>					HOMER</p>
<p>		One please!
<p></center></p>
<p>He has his ticket ripped, gets his map, and runs up to the large standing map, jogging in place.
</p>
<p>			<center>		HOMER<br />
		Ooh, ooh, I don&#8217;t know where to begin! Oh! 	The Atkins Ride!
<p></center></p>
<p>He runs over, under the Atkins Ride sign and onto a conveyor belt. There on the conveyor belt running adjacent at stomach level, plates are set down with bacon, steak, cheese, pork rinds, etc.  He gobbles them all up and gets off the conveyor belt at ride&#8217;s end, pats his stomach:
</p>
<p>			<center>		HOMER<br />
		I feel thinner already.
<p></center></p>
<p>INT. Homer&#8217;s Office &#8211; Day<br />
Burns is walking by Homer&#8217;s office and stops.  No Homer.
</p>
<p><center>					BURNS</p>
<p>		Where is he, Smithers?
</p>
<p>					SMITHERS<br />
		I don&#8217;t know, sir.   But maybe if I ran you a nice hot bath and massaged your back you would 		feel a lot better about his absence.
</p>
<p>					BURNS<br />
(after a pause)<br />
		No thanks.
<p></center></p>
<p>Ext.  Lard Country<br />
The loudspeakers on poles quiver.
</p>
<p>					<center>LOUDSPEAKERS<br />
		Attention denizens of Lard Country: the park	will be closing in 20 minutes!
<p></center></p>
<p>Homer shrieks.  Starts eating faster.  Above him is the banner: WWII Simulation: Eat Your Way to Victory!
</p>
<p>Homer is one of several eating a breaded replica of an SS tank.
<p>	<center>				HOMER<br />
		Take that Hitler! (He bites)  And that and that and that!
<p></center></p>
<p>Bite, bite, bite.
</p>
<p>Ext. Lard Country Exits<br />
A line forms.
</p>
<p>					<center>VOICE<br />
		Wait!
<p></center></p>
<p>A couple engineers hurry out, each takes one end of the metal posts through which you exit and push down the bar and pulls.  The metal posts are expanded.  The people can now exit.  The engineers hurry off.</p>
<p>
Comic Book Guy exits the theatre with the marquee: “Why Fat People are Smarter!”</p>
<p>
					<center>COMIC BOOK GUY</p>
<p>		Best.  Movie.  Ever.
<p></center></p>
<p>He puts a monocle on.</p>
<p>
<center><b> &#8211; commercial break &#8211; </b></center>
</p>
<p>Simpsons Dining Room &#8211; Nite<br />
Homer pats his stomach.</p>
<p>				<center>	HOMER<br />
		Ah, what a day.  And now dinner.  Splendid.</p>
<p>					MARGE<br />
		Homer, when are you planning to go back to work?</p>
<p>					HOMER<br />
		What do you mean?</p>
<p>					MARGE<br />
		Lenny and Carl called today.  They say you	haven&#8217;t <br />
been to work in two weeks.  Ever since the opening of <br />
Lard Country.</p>
<p>					HOMER<br />
		Mm, Lard Country . . . </center></p>
<p>His head starts to loll back, then he snaps to.   Marge&#8217;s hand is on the mackeral container. </p>
<p>				<center>	MARGE<br />
		Don&#8217;t make me get the mackeral.</p>
<p>					HOMER<br />
		But Marge, it&#8217;s like Heaven over there . . . so much food,<br />
 so little time!  Plus I get to spend time with the boy.</center></p>
<p>We see Bart, who now looks curiously bloated.</p>
<p><center>					BART</p>
<p>		Ooh, I don&#8217;t feel so good.</p>
<p>					LISA<br />
		You two are disgusting!  How can you devote so much<br />
 time to eating when there&#8217;s so many people	dying of <br />
hunger in the world!</p>
<p>					HOMER</p>
<p>		Lisa, those hungry people are only on TV. 	You can&#8217;t<br />
 believe everything you see on TV&#8211;especially the <br />
unsettling things.<br />
</center><br />
TV:</p>
<p>				<center>	KENT BROCKMAN<br />
		Citizens from all over Springfield are flocking daily to the</p>
<p> area&#8217;s latest attraction: Lard 	Country.  Why, it&#8217;s even <br />
become so popular, 	people have started moving closer to it!</center></p>
<p>Shot of a trailer park with the sign: &#8220;LARD COUNTRY ESTATES.&#8221;</p>
<p>Cletus is sitting on the porch to a trailer now, massaging his enlargened belly.  </p>
<p>					<center>CLETUS<br />
		Hey Ma&#8211;do you like me better fat or thin?</p>
<p>					MA<br />
		I liked you better when you could see where <br />
you were sitting, that&#8217;s two babies in a row, Cletus! </p>
<p>					CLETUS<br />
	(gets up looks at chair)<br />
		Sorry about that, ma!  We&#8217;ll make another.</p>
<p>					KENT BROCKMAN<br />
		But that&#8217;s not all Lard Country has done: in 	order to<br />
 compete, local food stores have started 	to slash prices!</p>
<p>					APU<br />
		Yes, all food items here at the Kwiki-Mart 	now are fifty</p>
<p> percent off.<br />
</center><br />
Shot of Simpsons living room. Homer is absent from the couch&#8211;we hear the front door shut and the car drive off.  Marge shakes her head. </p>
<p>					<center>KENT BROCKMAN<br />
		Some are worried that Springfield is facing a fat epidemic!</center></p>
<p>The scientist Frink standing in front of the white board with marker: </p>
<p>					<center>FRINK<br />
		Ok now, if we calculate the ratio of people<br />
 to the amount of food, and double it, 		then double it some <br />
more . . . what we&#8217;re gonna 	have is a lot of fat people<br />
 in Springfield.</center></p>
<p>Kent facing the camera holding his mic.</p>
<p>					<center>KENT BROCKMAN<br />
		So there you have it folks.  Springfield is 	getting fat.  <br />
While the extra pounds may keep 		us warm for the winter, <br />
who knows where else 		this explosion of obesity will lead us?</center></p>
<p>Int. Springfield Waste Facility<br />
Two men stand in front of a vat.</p>
<p>					<center>MAN #1<br />
		So I sez to Paris, I sez, &#8216;I don&#8217;t care what 	you&#8217;re <br />
gonna inherit or what papers you&#8217;ve been in, I don&#8217;t <br />
know who you are.  And frankly, 	I&#8217;m not interested<br />
 in doing that.  I&#8217;m not that kinda guy&#8217; and she sez . . .<br />
</center><br />
The vat explodes, expelling brown waste everywhere.  One man completely covered in brown starts making his way down the hallway.  Someone calls out: </p>
<p>					<center>VOICE<br />
		Poop man walking!<br />
</center></p>
<p>Int. Springfield Country Club<br />
Rich people are having tea, wrapped in dead animal furs, etc., when the floor burst open and a steady stream of brown muck shoots out. A big lady holding tea cup with pinkie curled looks aghast.</p>
<p>			<center>		LADY</p>
<p> 		Really!</center></p>
<p>Ext.  Springfield downtown<br />
A car is going down the street when another brown stream lifts off a manhole cover and turns the car on it&#8217;s side.</p>
<p>Int. Kwiki-Mart<br />
Homer is at the counter and both him and Apu have their head turned to the melee outside: brown explosions, people running by screaming.  They  turn to look at each other.</p>
<p><center>					APU</p>
<p>		It&#8217;s fifty percent off, you don&#8217;t have to steal,<br />
 Mr. Simpson.</center></p>
<p>	Homer&#8217;s mouth and pockets are bulging.  </p>
<p>					<center>HOMER<br />
		What?</center></p>
<p>Int. new house.<br />
A fresh-face couple face the realtor.</p>
<p><center>					HUSBAND<br />
 		Ok, we&#8217;ll take it.</center></p>
<p>The man puts his arm around the woman.</p>
<p>					<center>GIL</p>
<p>		Oh, you don&#8217;t know how happy it makes ole&#8217; <br />
Gil	here to hear that.</center></p>
<p>He jumps up and kicks his heels together.  At that point the brown explosion shoots through the floor.</p>
<p>					<center>HUSBAND<br />
		Let&#8217;s get out of here, honey!</center></p>
<p>The couple runs out.  Gil is left, getting soaked in the stream.  </p>
<p>				<center>	GIL<br />
		Goddurnit!  Why does this always have to happen <br />
to ole&#8217; Gil, huh? Can&#8217;t ole&#8217; Gil ever get a break?</center></p>
<p>He kicks the floor, gets promptly knocked over by another  stream<br />
which shoots up where his foot hit the wood.</p>
<p>Int.  Town Hall.</p>
<p>Mayor is making the placating movement with his hands.</p>
<p><center>					QUIMBY<br />
 		Now, now.  Everybody settle down.</center></p>
<p>The crowd is still loud, murmuring, panicky.</p>
<p>				<center>	QUIMBY</p>
<p>		Ok, ok, if you listen to what I have to say		<br />
you&#8217;ll get a free donut on the way out.</center></p>
<p>Immediate silence.</p>
<p>				<center>	QUIMBY<br />
		Springfield is facing a fat epidemic.</p>
<p>					COMIC BOOK GUY<br />
(stands up) <br />
		Excuse me, but you&#8217;re making that sound like		a<br />
 bad thing.  Noticeably the word &#8216;epidemic&#8217; 		when<br />
 combined with the word &#8216;fat.&#8217;</p>
<p>					QUIMBY</p>
<p>		Well, it is a bad thing.</p>
<p>					COMIC BOOK GUY<br />
		Excuse me while I present to you Exhibit A: 	Lorna.  <br />
Lorna is my girlfriend.<br />
</center><br />
The room gasps.</p>
<p>					<center>COMIC BOOK GUY</p>
<p>		Before being fat, Lorna would not even look at me. <br />
 Now that she&#8217;s incredibly obese, she 		has become <br />
my girlfriend.</center></p>
<p>We see Lorna: twice the size of Comic Book Man. She is quietly crying into a tissue.</p>
<p><center>					COMIC BOOK GUY<br />
 		I rest my case.</center></p>
<p>He sits.</p>
<p><center>					QUIMBY<br />
		Be that as it may Comic Book Guy, our city is	struggling<br />
 under it&#8217;s new-ahem-weight.  Park		benches are breaking.<br />
  Sewers were exploding 		but we&#8217;ve stopped that at least<br />
 temporarily.</center></p>
<p>Mole man is stuck into the side of a wall, with only his head sticking out.</p>
<p>					<center>MOLE MAN<br />
		Ow.</p>
<p>					QUIMBY<br />
		Unsuspecting puppies and babies are being sat on.  				</p>
<p>Something needs to be done!</p>
<p>					VOICE<br />
		Now, hold on there, pardner!</center></p>
<p>The audience looks to see who has spoken&#8211;it&#8217;s J.T. standing at the doors to the town hall, in the back.</p>
<p>				<center>	QUIMBY</p>
<p>		You want to say your peace, J.T.?</p>
<p>					J.T.<br />
		No!  I just wanted to announce free cheeseburgers!  <br />
			Right outside this door here!</center></p>
<p>Crowd cheers.  Start for the door.</p>
<p>				<center>	QUIMBY<br />
		Now wait a minute!  I promised you donuts!</center></p>
<p>Crowd pauses, looks betwixt.</p>
<p>					<center>LISA<br />
		ENOUGH!</center></p>
<p>Quimby lets her take the podium.  J.T. watches, too and the crowd files back to their seats.</p>
<p>					<center>VOICE<br />
		Let the little girl speak . . . </p>
<p>					LISA<br />
		You cannot continue to drown all of your problems 	</p>
<p>			through gluttonous eating!</p>
<p>					SIDESHOW MEL<br />
		Why not?!</p>
<p>					LISA<br />
		Because it&#8217;s not healthy for you!  Because it&#8217;s 	not </p>
<p>healthy for the environment!  And because 		it&#8217;s not <br />
healthy for the animals!</p>
<p>					MOE<br />
		What are you, some kind of communist!?</p>
<p>					LISA<br />
		No, I&#8217;m a buddhist and a vegetarian who 	would prefer</p>
<p> that my fellow citizens not kill		themselves with food! <br />
 I would also prefer that		you harm less animals with your diet!<br />
  Have 		you ever wondered where JT gets so much meat		<br />
for his park?  Is it a factory farm?  How are 		the animals<br />
 treated?  What is Springfield&#8217;s growing 			obesity doing to <br />
our city finances? These are		all questions that must be asked!</p>
<p>					J.T.<br />
		This just in!  I got cheeseburgers out here AND donuts!<br />
</center><br />
The crowd cheers wildly and fly out the door.  Only Quimby and Lisa are left.  Quimby looks at her and shrugs, walks off.  Lisa sighs and sits down at the edge of the stage.</p>
<p>
Apu enters.</p>
<p>					<center>LISA</p>
<p>		Apu!  You came back to console me on my vegetarian, 	<br />
		anti-gluttonous  beliefs!</p>
<p>					APU<br />
		Ah, no, sorry, Lisa.  I came back for Dhalia&#8217;s 	<br />
	hat, oh here it is.  Good luck with your angst!</center></p>
<p>He rushes off.  Paul McCartney pokes his head in.</p>
<p>					<center>LISA<br />
		Paul McCartney!  You came back to support my<br />
 		fight against the overconsumptive carnivores!</p>
<p>					PAUL McCARTNEY<br />
(looking around)</p>
<p>		This isn&#8217;t Carnegie Hall!<br />
</center><br />
He exits.</p>
<p>Lisa sighs again.  Cue Violent Femmes, &#8220;I Hope You Got Fat.&#8221;  She starts walking, walks outside past a carnivorous feast in progress.  Slomos of food to mouths, food dribbling down the side of faces, stomachs popping out of shirts, etc.  She walks past restaurants, pro-junk food billboards, more fat people.  Song stops.  She reaches home.</p>
<p>				<center>	MARGE<br />
		Hi, honey!  Are you ready for dinner?</p>
<p>					LISA<br />
(glumly)	<br />
		I&#8217;m not hungry.  Thanks, Mom, but I think I&#8217;m	just <br />
going to bed early tonight.  Good night.</center></p>
<p>
Lisa is in bed.  It is night.  She looks at the wall at her picture of the Dalai Lama, then at Richard Gere, then at her Grandma,  then at the little boy from Brazil whom she had sent money to in a previous episode, then a pig, a cow, a chicken . . . she turns to her left toward the window and there is a new face, framed by the moon with wavy blonde hair.</p>
<p>					<center>LISA</p>
<p>		Aaagh!</center></p>
</p>
<p><center>- commercial break &#8211; </center>
</p>
<p>ACT THREE</p>
<p>Lisa is still screaming.</p>
<p><center><br />
					FACE<br />
		Shh, Lisa, it&#8217;s me.  [name of guy who she had<br />
		a crush on from before, environmentalist], <br />
		remember?  We&#8217;re gonna go break into the factory<br />
 		farm where Lard Country gets all it&#8217;s meat and <br />
		dairy and take video of their cruely to upload<br />
 		to our website&#8211;wanna come?</p>
<p>
					LISA<br />
		You?<br />
</center><br />
We hear a harp and descend into a short montage of her memories of the boy.<br />
<center><br />
					BOY</p>
<p>		Nice flashback, now are you coming, or what?<br />
</center><br />
She jumps out of bed, dressed entirely in black.<br />
				<center><br />
					LISA<br />
(explaining black clothes)<br />
		I was thinking of doing something subversive<br />
 		tonight, but I didn&#8217;t know what.</p>
<p></center><br />
They both shimmy down pole and she follows him to the corner, where a futuristic hovercraft awaits, bobbing up and down slightly in the air.<br />
<center><br />
					LISA<br />
		What&#8217;s that?</p>
<p>					BOY<br />
		A hovercar which runs on fuel cells.  Auto<br />
		and oil industries won&#8217;t sell them here in <br />
		America or allow them to be sold or even allow<br />
 		the news media to talk about them.  We built it <br />
		offa instructions we downloaded from the internet.<br />
  		Get in!<br />
</center><br />
She jumps in. The Boy gets behind the wheel, introduces the 2 in the back seat:</p>
<p><center><br />
					BOY<br />
		Lisa, this is a Parvati and Emil.<br />
</center><br />
Parvati and Emil both nod and say hello.  All 4 are dressed in black.<br />
<center><br />
					LISA<br />
		Hello, nice to meet you, heh. </p>
<p>					BOY<br />
		And away we go!<br />
</center><br />
He presses the pedal and with a zoom the hovercar races off.</p>
<p>
Int. Rod and Todd&#8217;s bedroom.  <br />
Both are in bed with Ned sitting next to them reading a bedtime story.  We see the hovercar exit their window view and the two boys turn to Ned, who also watched it go by.</p>
<p><center>					ROD<br />
		Daddy, what was that?</p>
<p>					NED<br />
		Probably something from the military, son. <br />
 		They&#8217;re always testing new gear!</p>
<p>					TODD<br />
		Is there a military base around here, Dad?<br />
</center><br />
Ned lowers the blinds.<br />
<center><br />
					NED<br />
		Mysteries are the mark of the Devil!</p>
<p></center><br />
Int. Simpsons Living Room. <br />
 Marge is looking in on Bart and Maggie watching tv.<br />
<center><br />
					MARGE<br />
		Bart and Maggie are watching tv . . . Lisa is<br />
 		upstairs asleep . . . Homer is at Moe&#8217;s.<br />
</center></p>
<p>She goes to the kitchen and pulls down a bottle of wine and a glass, sits at the table and pours herself half a glass.<br />
<center><br />
					MARGE<br />
		Everything is back to normal.<br />
</center><br />
She takes a sip.  Behind her a brown stream erupts through the bottom of the sink.</p>
<p>Int. Ned&#8217;s<br />
Back at Ned&#8217;s, Ned closes his book.</p>
<p><center><br />
					NED<br />
		And thus the baby Jesus did not cry.<br />
</center><br />
A brown stream erupts through the floor.<br />
<center><br />
					TODD<br />
		That smells like Ralph.</p>
<p></center></p>
<p>Int. Sleazy Motel, room 6.<br />
  Quimby stands in front of a king-sized bed, shirtless.</p>
<p><center><br />
					QUIMBY<br />
		And now, for my impression of Hercules.<br />
</center><br />
He starts to pose when a brown stream erupts through the floor.</p>
<p><center><br />
					QUIMBY<br />
(shaking fist at sky)<br />
		Goddamn you, fat people!<br />
</center></p>
<p>Int. Patty and Thelma&#8217;s.  <br />
We see a door and hear a flush.  The door opens and there stands Patty, sucking on a freshly lit one.  She blows out the smoke slowly, enjoying it.</p>
<p><center>					PATTY</p>
<p>		Aaah.  For a while there, I was standing on<br />
 		that one.</center></p>
<p>
The hovercraft is flying.  We&#8217;re in the cockpit with all the lit up dials.<br />
<center><br />
					BOY<br />
		We&#8217;ve found a big building located not very<br />
 		far from Lard Country.  That&#8217;s where we&#8217;re going.<br />
  		We&#8217;ve come equipped with dv cameras to record <br />
		what we can only assume are unbelievably harsh 				<br />
conditions of factory farming going on there.<br />
</center><br />
The hovercraft whips through the air deftly.  An old man from Abe&#8217;s retirement home is standing on the corner leaning onto his walker as it passes by.<br />
<center><br />
					OLD MAN</p>
<p>		Oh no, not again.  Hopefully this time, they&#8217;ll<br />
 		be gentle.<br />
</center><br />
He licks lips loudly.</p>
<p>Int. Cockpit</p>
<p><center><br />
					BOY</p>
<p>		But since the building we&#8217;re targeting for<br />
		penetration and video extraction is on the same<br />
 		compound as Lard Country, it&#8217;s heavily secured.<br />
  		So we have to create a diversion.<br />
</center><br />
The hovercar stops abruptly next to Moe&#8217;s.  Emil, in fake moustache, gets out, hurries over to the entrance of Moe&#8217;s.</p>
<p></p>
<p>Int. Moe&#8217;s.  <br />
Homer, Barney, Carl and Lennie are sitting at the bar.  Moe is behind the bar.  He is standing in front of something with a tablecloth on it which he whips off in a flourish, revealing a large ceramic donut with a tap on the end.<br />
<center><br />
					MOE<br />
		Ta-da!</p>
<p>					BARNEY<br />
		What is it, Moe?</p>
<p>					HOMER<br />
		Pffft.  Big deal.  I&#8217;ve seen donuts way bigger<br />
 		than that at Lard Country.</p>
<p>					MOE<br />
		This ain&#8217;t no donut, Homer.  This is beer.</p>
<p>  		Donut beer.<br />
</center><br />
Homer&#8217;s face goes slack.<br />
<center><br />
					HOMER<br />
		You mean donuts make beer, too?<br />
</center><br />
The door opens and in comes Emil with the mustache.  He has a black jacket on and carries a briefcase.  He leans into the place but does not enter fully.<br />
<center></p>
<p>					EMIL<br />
		Psst.  Hey guys.<br />
</center><br />
They turn. <br />
<center><br />
					EMIL<br />
		I got a tip for ya.</p>
<p>					MOE<br />
		We&#8217;re listening.<br />
</center><br />
They lean closer.<br />
<center></p>
<p>					EMIL<br />
			(in hushed, conspiratorial voice)</p>
<p>		I work for Lard Country.  I over-ordered the<br />
 		prime rib for tomorrow so there&#8217;s a ton just<br />
 		sitting there inside the gates if you want to<br />
 		go and pick it up.  If any of the guards come,<br />
 		just tell &#8216;em Ed sent ya.</p>
<p>					MOE</p>
<p>		Are you Ed?</p>
<p>					EMIL<br />
		Yes.</p>
<p></center><br />
Emil slips back out of the bar.<br />
<center><br />
					MOE</p>
<p>		Well, you heard the man.  Let&#8217;s go get us some<br />
		free meat!</p>
<p></center><br />
Outside the bar we see Emil run back to the hovercraft and the hovercraft slip back into the shadows of the parking lot.  Homer, Barney, Moe, Lenny and Carl all run out.</p>
<p>			<center><br />
					CARL<br />
		Oh boy, this is gonna be good.</p>
<p>					HOMER<br />
		Whoo-hoo!<br />
</center><br />
They all pile into a car.  </p>
<p>Ext. Lard Country<br />
The car carrying the men drives up to the gates with the hovercraft following at a distance behind, keeping out of sight.  The place looks locked and dark.<br />
<center><br />
					LENNY</p>
<p>		I don&#8217;t know about this, are you sure we&#8217;re<br />
 		supposed to go in there.<br />
</center><br />
Homer gets out.<br />
<center><br />
					HOMER<br />
		You heard the man.  He said &#8216;climb the fence&#8217; <br />
		and tell &#8216;em Ed sent ya!</p>
<p></center><br />
He starts to climb the fence, gets to the top, jumps over<br />
<center><br />
					HOMER<br />
(extending hands out to his sides)<br />
		See?<br />
</center><br />
At that moment all of the alarms and lights go off.  Two dobermans jump at Homer from each side and drag him down.<br />
<center><br />
					HOMER</p>
<p>		D&#8217;oh!<br />
</center></p>
<p>Int. Cockpit.<br />
The assembled crew watch as Homer gets mauled.<br />
<center><br />
					BOY<br />
		What an idiot.  Good job, Emil!<br />
</center></p>
<p>Lisa blushes.</p>
<p>The hovercraft flies over the fence and heads to the Big Building.<br />
<center><br />
					BOY<br />
		OK, get your cameras ready!<br />
</center></p>
<p>Ext. Back at the gates.<br />
<center></p>
<p>					Carl<br />
		Well what do we do now?  We can&#8217;t just leave<br />
 		him there?</p>
<p>					MOE<br />
		And we can&#8217;t exactly go over there, either.<br />
  		Not with the dobermans there.</p>
<p>					LENNY<br />
		Well, we can watch.</p>
<p>					MOE<br />
		Yea, we can do that.  Anyone bring any snacks?<br />
</center><br />
Homer being pulled by dobermans.</p>
<p><center><br />
					HOMER<br />
		Stop! Ed sent me!!! I&#8217;m with Ed!!!</p>
<p></center><br />
Ext.  Grassy Knoll<br />
The hovercraft lands on a grassy knoll and all four jump out and make their way across the grass to the Big Building.<br />
<center><br />
					BOY</p>
<p>		OK, guys, get ready for some serious animal<br />
 		cruelty here.<br />
</center><br />
He uses a set of big clippers to break off the lock and they all file in.  </p>
<p>Int. Big Building<br />
It is dark.  We see them inside-barely.<br />
<center><br />
					PARVATI</p>
<p>		Do you guys hear . . . snoring?<br />
</center><br />
All of a sudden the lights go on and they find instead of a bunch of animals pressed closely together, only one creature: a human. A giant human.  With his head&#8211;wider than all of them standing together&#8211;leaning down and pointed towards them.  They all scream.</p>
<p><center></p>
<p>					GIANT<br />
(puts forefinger to mouth)<br />
		Shhhhhh.</p>
<p></center><br />
They all stop yelling.<br />
<center><br />
					GIANT<br />
(whispering)<br />
		You don&#8217;t want to wake up the guards. </p>
<p>					BOY<br />
What . . . are you?</p>
<p>					GIANT<br />
		Expecting a factory farm, were you?  You<br />
		remind me of myself, when I was younger.
		</p>
<p></center><br />
Ext. University Grounds &#8211; Day<br />
We see a huddle of lab coats, but only their backs.</p>
<p><center><br />
					GIANT OFFSCREEN<br />
		As a young whiz kid, I put the wonder into<br />
 		wunderkind.<br />
</center><br />
The lab coats part to see one much younger male also in a lab coat wrestling with an oversized atom.<br />
<center><br />
					VOICE</p>
<p>		Three dollars on the atom!</p>
<p>					VOICE<br />
		Ten dollars on the kid!<br />
</center><br />
Money exchanges hands.  The kid wrestles the giant atom to the ground and half the crowd cheers.<br />
<center><br />
					GIANT OFFSCREEN</p>
<p>		Even then, I had a knack for making things<br />
 		bigger. . . . but my real mission in life, was<br />
 		to feed the world.<br />
</center><br />
Montage of the kid on the lab coat in different exotic locales of the world, taking samples of things: bamboo, seaweed, old tires.<br />
<center><br />
					GIANT OFFSCREEN<br />
		I wanted to find the perfect base substance, <br />
		from which I could then run through my Meatalizer<br />
 		to produce fake meat products, which would be<br />
 		virtually indistinguishable from the real thing.</p>
<p>		. . . for ten long years, my efforts came to no<br />
 		avail.  Until one nite, I took a friend’s dose of 			<br />
	psychedelics in frustration . . .</p>
<p></center><br />
He is walking through a park amidst all the groovy colors.  He begins laughing hysterically, then falls down on the grass.  When he wakes, he sees: dog waste.<br />
<center><br />
					GIANT OFFSCREEN<br />
		On a hunch, I put a sample into my baggie and<br />
		ran tests . . . and it worked!<br />
</center><br />
We see the testing kitchen.  Several hungry students piled around a table are given a fresh plate of hot dogs.  They dig in and give their enthusiastic assent, thumbs up!<br />
<center></p>
<p>					GIANT OFFSCREEN<br />
		It needed a little tweaking, of course.  <br />
		Human waste provided much better substance <br />
		than dog waste, and vegan human waste provided <br />
		the best substance of all.</p>
<p>		. . . but where would I get so much substance? </p>
<p> 		When I ran the local sewer system through the 		<br />
			Meatalizer, it didn’t work&#8211;something wasn’t <br />
		right.  So I, myself had to provide the waste&#8211;only<br />
		it wasn’t enough.  Thus, I combined my previous <br />
		love of supersizing organisms with my lifelong<br />
		desire to feed the world, added in my Meatalizer<br />
		and latest discovery, and voila!<br />
</center><br />
Back to present, the Giant shifts in his seat to show what he is sitting on: a giant toilet lid, now down.<br />
<center><br />
					GIANT <br />
		I, of course, am a vegan by choice&#8211;I eat<br />
 		copious amounts of vegan food, put the results<br />
 		into the Meatalizer, and there we go: enough <br />
		fake meat to feed all of Springfield!  Of course,<br />
 		Lard Country was an added stroke of genius <br />
		thought up by my old friend J.T., who use to <br />
		run a mid-sized circus.</p>
<p>					LISA<br />
		But . . . but . . . but . . . that’s disgusting!</p>
<p>					GIANT <br />
		But think about it, little girl, would you<br />
		rather all those animals be killed?<br />
</center><br />
The four look at each other.<br />
<center></p>
<p>					GIANT</p>
<p>		The good news is, I have been able to tweak <br />
		the Meatalizer enough to now access your local<br />
		sewer system for substance&#8211;thereby relieving, <br />
		ahem, your overburdened sewer system, and <br />
		allowing me, Lard Country&#8217;s main engine, to <br />
		move on to the next Lard Country, opening next<br />
		week in another state!  Since your town isn’t <br />
		vegan, the result won’t taste as good, but with<br />
		enough sauce added on . . . </p>
<p>		So animal lovers&#8211;can you keep a secret?<br />
</center><br />
The four look at each other again.</p>
<p>Int. Simpsons Dining Room &#8211; Nite<br />
The whole family is assembled. Marge is dishing out the pot roast.<br />
<center><br />
					MARGE<br />
		Well, I’m glad that ickity problem has been <br />
		cleaned up, that was disgusting!</p>
<p>					HOMER</p>
<p>		I knew the city would come through! If they <br />
		didn’t pander to us fat people, this city would be 			<br />
	empty!  </p>
<p>     MARGE<br />
And Lard Country now provides all of Springfield&#8217;s<br />
meat&#8211;so everything worked out!</p>
<p>					BART<br />
		More pot roast please, ma’am!  Don’t know <br />
		what you’re missing, Lis!  This barbecued <br />
		animal corpse tonite is extra-delish!<br />
</center><br />
She watches them eat.  We pop into her head and see the head of a cute little lamb smiling at her.<br />
<center></p>
<p>					LAMB<br />
		Thaaank yooou, Liiisa.  </p>
<p>
					LISA<br />
		Heh.</p>
<p>
						THE END.	</p>
<p></center></p>
<p>[originally published @ Gimmicky April 05, 2004, April 06, 2004 and April 07, 2004]</p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/spec-simpsons-script-lard-country/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Roll Over</title>
		<link>http://slickndirty.com/roll-over/</link>
		<comments>http://slickndirty.com/roll-over/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 19:03:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dark Drama]]></category>
		<category><![CDATA[Gimmicky]]></category>
		<category><![CDATA[homelessness]]></category>

		<guid isPermaLink="false">http://slickndirty.com/?p=138</guid>
		<description><![CDATA[Roll Over I heard them talking above me and kept my eyes shut. &#8220;What&#8217;s he got?&#8221; &#8220;I dunno, dunno if he got anything.&#8221; &#8220;You know him?&#8221; &#8220;Seen him around.&#8221; &#8220;Think he got something?&#8221; &#8220;Well, he probably got something. I mean, most of us got something.&#8221; &#8220;Not me, man. I ain&#8217;t got nothing.&#8221; &#8220;I know you [...]]]></description>
			<content:encoded><![CDATA[<h3 class="title">Roll Over</h3>
<p>I heard them talking above me and kept my eyes shut.</p>
<p>&#8220;What&#8217;s he got?&#8221;</p>
<p>&#8220;I dunno, dunno if he got anything.&#8221;</p>
<p>&#8220;You know him?&#8221;</p>
<p>&#8220;Seen him around.&#8221;</p>
<p>&#8220;Think he got something?&#8221;</p>
<p>&#8220;Well, he probably got something. I mean, most of us got something.&#8221;</p>
<p>&#8220;Not me, man. I ain&#8217;t got nothing.&#8221;</p>
<p>&#8220;I know you don&#8217;t, loser. But this guy, he looks like he ain&#8217;t been on the street long.&#8221;</p>
<p>&#8220;How can you tell?&#8221;</p>
<p>&#8220;Dumbass, anyone can tell if they didn&#8217;t start their day off with a 40 and can think straight.&#8221;</p>
<p>&#8220;You mean me, right? It was only half a 40, man. And that&#8217;s rare. Rare that I had it still from last nite after I passed out. Usually it spills or someone takes it.&#8221;</p>
<p>&#8220;Or someone pees in it.&#8221;</p>
<p>&#8220;What?!&#8221;</p>
<p>&#8220;Nothing, hey man, we gonna roll this guy or what?&#8221;</p>
<p><span id="more-138"></span></p>
<p>&#8220;Depends, well, what&#8217;s he got?&#8221;</p>
<p>&#8220;Well neither of us are gonna know until we put our fucking hand down his pants, are we?&#8221;</p>
<p>&#8220;But what if he wakes up?&#8221;</p>
<p>&#8220;Well, you wallop him, don&#8217;t you?&#8221;</p>
<p>&#8220;Why me? Why I gotta wallop him?&#8221;</p>
<p>&#8220;Because you had the 40, didn&#8217;t you! Beer makes you strong, dumbass!&#8221;</p>
<p>At this point I thought it best to open my eyes: &#8220;Hey guys.&#8221;</p>
<p>They both looked at me, startled.</p>
<p>&#8220;I got nothing.&#8221; I said. &#8220;If I did, I&#8217;d gladly share it with you.&#8221;</p>
<p>&#8220;Well, you must got something,&#8221; said the one closest to me, with long dark hair. His friend stood a little ways off, chubby, open-mouthed and staring.</p>
<p>I sat up. &#8220;I ain&#8217;t got nothing.&#8221; I said, looking at him level. &#8220;And on top o&#8217; that, you two are in no condition to roll me, guys.&#8221; I stood up. &#8220;In fact, if you try it, I&#8217;ll pound your motherfucking asses into bone.&#8221;</p>
<p>The chubby guy: &#8220;How can you do that? Into bone, I mean? Flesh don&#8217;t turn into bone, no matter how hard you pound it.&#8221;</p>
<p>The long-haired guy looks at him. &#8220;He&#8217;s just saying, dumbass. He&#8217;s just trying to act tough. Maybe he even is tough, hell I don&#8217;t know.&#8221; </p>
<p>He looked me up and down, appraising.</p>
<p>&#8220;You don&#8217;t wanna know,&#8221; I said. &#8220;And you know what, I don&#8217;t want to make you know. We&#8217;re all out here together, why not make an alliance?&#8221; </p>
<p>I stuck my hand out. &#8220;I&#8217;m Warren.&#8221;</p>
<p>The one closest to me looked at my hand warily. &#8220;This ain&#8217;t a trick, is it?&#8221;</p>
<p>&#8220;No,&#8221; I said. &#8220;Not a trick.&#8221;</p>
<p>&#8220;I mean, if I take your hand and all, you&#8217;re not gonna pull me in and knee me in the balls, right?&#8221;</p>
<p>&#8220;Uh, no,&#8221; I said. &#8220;I wasn&#8217;t planning anything like that. I&#8217;d rather make friends than enemies. Because I&#8217;m smart. That&#8217;s what smart people do.&#8221;</p>
<p>He looked down at his hands. &#8220;You probably don&#8217;t want to touch these hands, man. They haven&#8217;t been washed in a while. And last couple times I used the Porta-potty, they was out of toilet paper.&#8221;</p>
<p>&#8220;Ah, oh.&#8221; I said, lowering mine. &#8220;Well, thanks for letting me know. What&#8217;s your name then?&#8221;</p>
<p>&#8220;Roy,&#8221; he said, &#8220;And this here&#8217;s Apeman.&#8221;</p>
<p>Apeman jumped up and down and went whoo-whoo.</p>
<p>Roy: &#8220;No, man that&#8217;s a monkey. You&#8217;re an Apeman, not a monkey. An Apeman growls, in a really deep voice.&#8221;</p>
<p>Apeman came forward extending his hand. &#8220;I&#8217;ll shake your hand, Warren,&#8221; he said.</p>
<p>Roy put his hand out and pushed Apeman&#8217;s arm down. He looked at me.</p>
<p>&#8220;You don&#8217;t want to do that,&#8221; he said. &#8220;He doesn&#8217;t use tp even when it&#8217;s available.&#8221;</p>
<p>&#8220;Thanks,&#8221; I said. &#8220;Well, nice to meet you both anyway.&#8221;</p>
<p>There was a pause.</p>
<p>&#8220;Say uh,&#8221; I said. &#8220;You guys know any place around here where a guy like us can get some work?&#8221;</p>
<p>&#8220;Work?&#8221; said Apeman. &#8220;Guys like us don&#8217;t work, that&#8217;s why we&#8217;re guys like us.&#8221; He threw his head back and let out a huge guffaw.</p>
<p>Roy laughed, too. &#8220;Yea, right,&#8221; he said, eyes crinkling at the sides. He turned back to me. &#8220;Well, nice to meet ya, Warren, but we gotta be on our way now.&#8221;</p>
<p>They walked away. As they went, I could hear Roy say to the other, &#8220;We shoulda walloped him while he was asleep.&#8221;</p>
<p>Up then came the rosy fingers of dawn.
</p>
<p>	[originally published @ Gimmicky April 04, 2004]<br /></br> </p>
]]></content:encoded>
			<wfw:commentRss>http://slickndirty.com/roll-over/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

